Even small changes in the position of your camera can change the overall feel of your image. The famous “big nose, tiny ears” look may not go over well with a bride (unless she has a small nose, big ears complex). The problem you can run into however is this same effect manifesting itself where you don’t want it. This phenomenon is sometimes called foreshortening and can be used for some very cool creative effects. The closer the subject gets to the lens of the camera the more exaggerated this distortion becomes. You already know that if you put on a wide-angle lens and shoot your subject up close, it appears enormous in relation to everything in its surroundings. One of the more technical aspects of portrait photography, and perhaps a new concept for beginners, is the importance of camera-to-subject distance and its relationship with the focal length of your lens. I hope that others will share suggestions in the comments on makes and models not included here.įirst things first, every wedding photographer needs a good portrait lens. Some of the information I present here is Nikon specific, only because that is what I have experience shooting with. Without asserting that it’s the equipment that makes a good photographer, here I hope to present some basic suggestions and let you take it from there. There is no perfect wedding kit and every photographer will swear by this lens or that camera body. The problem is, when researching how to invest that hard earned cash, you get a different answer from as many photographers as you choose to ask. Now you want to know what gear the pros are using so you can start building your own formidable wedding arsenal. So you’re serious about stepping into wedding photography, you’ve starting getting experience and your portfolio is growing. Charles is a Nikon guy so this is reflected in his recommendations for Wedding Photography lenses (although a lot of his advice applies to others also) – but we’d love to hear your suggestions for other brands in comments below also!Ĭhoosing the Right Lenses for Wedding Photography Today he follows this up by looking at how to choose the right lens for Wedding Photography. For example, a lens with a maximum aperture of f/2 will cost more than a lens with a maximum aperture of f/4.Recently Charles Clawson from wrote a post here on DPS called Stepping into Wedding Photography. The larger the maximum aperture, the more the background can be blurred for a pleasing effect this effect is referred to as "bokeh" and is used by portrait, nature and sports photographers.Īlso, the wider the maximum aperture, the more sophisticated the lens design, and the more expensive it will be. Maximum aperture fixed focal length NIKKOR lenses utilize lens elements that are larger than those used in other lenses. Faster shutter speeds stop motion, making it possible to get sharp results when shooting fast moving objects. Basically, the shutter does not have to stay open as long to let in the same amount of light, so it's faster. At a given ISO (light sensitivity) you can achieve a correct exposure at a faster shutter speed with a wider aperture than with a smaller aperture. As such, these lenses are generally more expensive than variable aperture zooms.Ī lens with a wider maximum aperture is described as being "faster" than one with a smaller maximum aperture. (f/2.8, below right).įixed aperture lenses utilize more sophisticated lens elements than variable aperture lenses and are also heavier than variable aperture lenses. Some higher-end lenses can maintain the largest aperture throughout the entire zoom range, so only one number is detailed. The 3.5 and the 5.6, are referring to the maximum aperture the lens can achieve for each end of the zoom range. For example, "f/3.5 - f/5.6" will be noted on the lens barrel as 1:3.5-5.6 (below left). Zoom lenses that have a variable aperture will show the maximum aperture range. To achieve the widest possible aperture, you need to be at the widest possible zoom setting.Īll NIKKOR lenses list the widest possible aperture on the lens barrel. These zoom lenses are said to have a "variable" aperture. As you zoom, the optics move to focus at the new zoom setting. While this is a wonderful advantage to have, there are optical limitations that should be understood when using a zoom lens.Īll lenses have a maximum aperture, or lens opening, used to capture light. On most zoom lenses the maximum aperture will change as you zoom. This lets the photographer quickly zoom in and capture the shot, then zoom back for another at a wider angle. Zoom lenses are beneficial because they allow for a range of different focal lengths without the need to carry multiple prime (fixed focal length) lenses.
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